to "see" come to Mephistopheles, reveling at a wedding party. After an introduction to evil, which boasts of its art, go to Faust Mephistopheles. Fausto's theme is present, and is now Fausto who walks around the room, proud, confident, relatively happy. Suddenly, the back, in a corner, he discovers a Margarita. Everything stops. Fausto, amazed, be still and moving slowly, very slowly to Margarita, who suddenly looks at him. Fausto talks, Margarita answered timidly. Mephistopheles, which contemplates the scene, and decides to take a violin playing a waltz for the two dance. Fausto, old and in love, will sell his soul for the love of Margaret. Both dance and dance and rhythm becoming more frenetic, more prurient, more carnal. The musiciansca becomes a crazy technique that, among the echoes of the voice of Margarita and memories of the first voice of Faust takes us to the triumph of Mephistopheles.
Madness.
And then, the Valley of Obermann, a terrible delight that Liszt composed following the reading of "Obermann" French writer Senancaur. "Vast consciousness of nature everywhere overwhelming and impenetrable, universal love, indifference, higher wisdom, voluptuous abandon all desires and all the deep torment that the human heart can hold, all I had felt all that memorable night," Liszt says about the night he read and wrote "The Valley."
And then I remember the test.
remember the fellowship (of "commaninov, which would die on the piano in the dramatic climax of the eighth, with the bass hitting the mouth of a stomach drowned in so much beauty.
When I heard it live on my teacher and mentor, Leonel Morales-can not remember if it was in the Monumental Theatre Cultural Center or the Villa-tears escaped me alone, could not control them, they were caught in the maelstrom notes and flying, flying, flying ... Yesterday
finally entered the Fnac and bought some of my past.
: '-)
PS: Gentlemen, thank you for existing.
